Feature, Short Story

Guy de Maupassant and The Trip of Le Horla

I’ve been reading the short stories of Guy De Maupassant, a French writer who died over 120 years ago.

I first came across him in a bookshop in Montauban, a small redbrick town, 50 km north of Toulouse. I was looking for some Albert Camus as I wanted to start reading novels in French and was counting on the famous Algerian novelist (and goalkeeper) to get me started. There are only so many times you can read Exupery’s The Little Prince. (Or Night Flight)

I asked the proprietor if he had La Peste (after The Outsider, Camus’ most famous book). He said he had: ‘Four copies in fact.’

I took the one with the biggest print and then he asked me if I’d read any Maupassant. ‘Who?’ I asked. ‘Isn’t that a village near Cahors?’ I joked (The touristy village of Montpezat being close by).

He smiled weakly (idiot Englishman he was thinking). ‘No, it’s not; Maupassant is the master of the short story. Very good for learning French,’ he said in English. ‘Because it’s simple.’

And so began my interest in Guy de Maupassant.

Born in 1857 in Tourville sur Arques near Dieppe in Normandy, he died in Paris in 1893 and was buried in Montparnasse Cemetery. His most famous story, Boule de Suif (Butterball), tells the story of a coach trip from Rouen to Le Havre during the Franco-Prussian war of 1870–71. The inhabitants: a prostitute, a wineseller, two nuns, a factory owner, a count, a politician, and their wives, constitute a fascinating cross section of French society in the late 19th century.

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This story is the first one I read and is a perfect introduction to his style. The simplicity of which stems from his first hand knowledge of the farmers, fishermen, tradesmen, prostitutes, soldiers, civil servants, shopkeepers, landowners, writers and vagabonds he encountered in his life.

After moving to Paris in 1878 to work as a civil servant he wrote in his spare time. However, after Boule de Suif was published in 1880, Madame Tellier in 1882, and Mademoiselle Fifi in 1883, his reputation was so high that he gave up his job to write full time. By the time he died he’d written over 300 stories, six novels, plus countless collections of poems and other writings on travel and nature.

One of the things you notice when you read his stories is the phenomenal amount of food they eat. In Miss Harriet, a story about a puritanical English Protestant woman living in a rundown auberge in a small village called Benouville on the Normandy coast, they typically lunch on: ‘a ragout of mutton, followed by a rabbit and salad, followed by cherries and cheese.’ All enjoyed with cider. In another story aptly named The Beggar, their ‘simple’ lunch consists of a couple of chickens, a partridge, a side of ham, followed by cheese and a tart. Again washed down with cider. I daresay not everybody enjoyed such lunches in 19th century France. However, this abundance of food is so common in his writing that I suspect this was how rural people ate.

His stories are also at times very tragic and sad. The Blind Man, the story of a man who’s abused and tortured by his own family because he can’t work on the farm, is one of the most crushing stories I’ve ever read.

Conversely, his stories can be phenomenally uplifting and amusing. Almost farcical. Stories such as The Duel, The Drunkard and The Relic are silly comic book affairs. Whereas stories like The Necklace and A Piece of String (and Boule de Suif) are highly political.

I enjoy his works because they are simple, finely crafted stories distilling a code of values and ideas into short pieces. Normally with staggeringly abrupt endings. So abrupt at times that I’ve wondered whether some pages have been torn out.

There are over 300 stories and yet my favourite is The Trip of Le Horla, a fascinating trip from Paris to Holland in a hot air balloon. It charts an overnight voyage — yes overnight! — from the centre of Paris to Huyet on the Dutch coast. There’s some awe inspiring description of the trip — a trip I assume he made himself — but it’s also a superb meditation. This is one of my favourite sections as they float across France at 2000 metres:

“All memory has disappeared from our minds, all trouble from our thoughts; we have no more regrets, plans nor hopes. We look, we feel, we wildly enjoy this fantastic journey; nothing in the sky but the moon and ourselves! We are a wandering, travelling world, like our sisters, the planets; and this little world carries five men who have left the earth and who have almost forgotten it. We can now see as plainly as in daylight; we look at each other, surprised at this brightness, for we have nothing to look at but ourselves and a few silvery clouds floating below us.”

His diversity is astonishing. Tales of varying length and assorted subjects ranging from tragedy to satire, to comedy to farce. All different and yet all possessing the author’s vivid set of personal experiences.

Visit http://maupassant.free.fr/ where all his material can be found translated into many languages. And all for free. What else could you want for Christmas?

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Commentary, Film

Why Your Fairtrade Organic Latte Isn’t Going To Save the Planet

A few nights ago my wife and I settled down to watch First Reformed with Ethan Hawke. I like Ethan Hawke – he seems honest and humble and his characters are (mostly) believable.

But this is not a film review. It’s a short article written in my head during the part in the movie where the environmental campaigner (Philip Ettinger) explains to the priest (Hawke) that he wants his girlfriend to have an abortion to avoid bringing another child into this world.

It’s a well-done scene and reminded me of a discussion I had with a close friend a few years ago. He asked me one night why I had never had children — he had three. I argued various points about it never being the right time, financial worries, my rather unstable life, difficulty in taking responsibility, blah blah. Until I finally admitted that my main reason was the environmental impact of having children.

My friend looked at me rather blankly. ‘What do you mean?’ he asked.

I wasn’t sure how to put it any clearer, so I said it again: ‘I don’t have kids because every child is an environmental disaster waiting to happen. Get this: I recently read that one extra child produces 60 tonnes of carbon per year. If you go carless for a year, you save two. I mean the figures are astonishing! People go on about going green and recycling, without ever realising that the best thing you can do, is not have children.’

After my rant, my friend looked shocked. ‘Wow, I’d never thought of it like that.’

‘Most people don’t,’ I said. Then I apologised, saying that I loved his kids and that I wasn’t having a go at him personally, his wife or his family. It was just a personal decision. ‘And anyway,’ I smiled at him. ‘You asked the question.’

We went on to talk about other things, but I always remember the conversation and found it interesting to see this idea addressed in a film. True, the guy in the movie was asking for drastic action. An abortion! But the point was the same.

I once read a book by Raj Patel called The Value of Nothing. It was a good book, except the author (a Brit like myself) seemed to think having kids was fine and wasn’t a problem. I disagreed when I read the book, and I disagree now. Surely, this IS the problem.

His argument was that we could accommodate more children on the planet if we dispensed with our rapacious lifestyles. BUT, as I told my close friend later in our conversation that night, that isn’t going to happen any time soon. And how long do we have? Western Capitalism isn’t going to disappear overnight, and as the world’s middle-class expands, the problem will only get worse.

Most parents believe their child will grow up and do something amazing: like save the planet. But in reality, he or she, whatever they do, will simply keep on polluting it. Just by living

It’s a sobering thought, isn’t it?

Of course, even I know that in order to keep the species going, we need children. But that’s not going to stop. For starters, teenagers will still get drunk on cheap cider and have sex in the park. The species is safe, so don’t worry!

And anyway, I like children: I value their spirit and curiosity, but maybe less is better. Because here’s the truth:

We can recycle our plastic bags, drink our organic fairtrade lattes, cycle to work, or even go vegan. And perhaps in the long term this ‘ecological dressing-up’ might work. But it’s going to take a long time. Time we probably don’t have. So what are we going to do about it?

Keep tweaking at the edges: a bit of this, a bit of that? Or fundamentally reduce the number of mouths we have to feed and the number of bodies we have to keep warm?

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Observation

Love of The Moka Express

For the past six months, I’ve been getting up early to write a novel. I don’t know why, because the story isn’t going anywhere. But I do it all the same. It feels important. Necessary. Like breathing.

To help me along I drink coffee made with a Bialetti Moka Express. If you’ve never seen these, they look like giant octagonal chess pieces — bishops or knights in shining armour. I cleaned the ones for the photo above. Normally they’re coated in burnt-on coffee like seepage from an industrial process. If you buy them from a shop, they’re perfectly shiny. Like components for a missile.

I’m not much of a coffee connoisseur if I’m honest. I drink the stuff because it keeps me awake, plus I quite like the taste. I could probably buy a machine, stick a pod or a capsule in it and press GO. But where’s the fun in that?

With the Moka Express (and I’m not selling these things by the way) there’s a process. A process as soothing and as comforting as the coffee it makes. Even the most fractured of souls can be calmed in the morning by its gentle purring as it heats up on the stove. The quiet gurgle as the coffee splurges out of the nozzle. And then finally, that satisfying sigh as the remaining coffee is expelled. A three-act play performed in only fifteen minutes — a horror story in today’s high-pressured latte world. But worth waiting for all the same.

My fascination with these things started when I was a kid on camping holidays in the Scottish Highlands with my crazy uncle. He was my father’s sister’s husband, but he wasn’t like a relative at all; more a wayward traveller who’d befriended the family by accident, and simply wanted to do the right thing.

My mother had recently died, and as my father was always so busy at work, my uncle stepped in during the school holidays to take me off my father’s hands. I was only eight when my mother died and had already been at boarding school for a year. In short, I was pretty distressed at the time, so those trips to Scotland were amazing adventures, an escape from my grief and the austere surroundings of school.

The splendid Highland views, the soggy tents, the stiff walks in the mountains, I’ll never forget. But most of all the coffee. I didn’t even drink coffee back then, what eight-year-old did in 1979? But it wasn’t the coffee that fascinated me. It was the shiny 3-cup Bialetti he used to slide out of his bag like a pistol. Tapping the old coffee grounds away into the heather, refilling it with fresh ones, and then brewing it over his camping stove.

I’ve no idea where he got it from, or the coffee for that matter. In 1970s Scotland, it was difficult enough to get instant coffee, let alone real coffee. But he did, and as he smoked his Gold Leaf cigarettes and drank his brew, it looked like the most pleasing thing in the world.

He’s dead now but his memory lives on in a 3-Cup, a 6-Cup and a 12-Cup Bialetti, all neatly hanging from hooks above my stove. Which one I use depends on how I feel in the morning. If I’ve slept like a baby, I’ll use the 3-Cup. If I’ve dreamt about wild boars rampaging through my house (I live deep in the French countryside), the 6-Cup. And if I finished a box of Bordeaux the night before, the 12-Cup. My uncle would understand these nuances, I’m sure.

The other thing he gave me, apart from a range of Italian kitchenware, was a love of cold water. On our camping trips, we would invariably camp by a loch. For no other reason than he liked to swim in them. If you’ve ever swum in a Scottish loch, it’s like swimming in liquid nitrogen. An enormous vat of icy cold water ten miles deep, as black as hell and as cold as anything you can imagine on planet Earth. And when you swim out and look down into the depths, it’s total darkness. Like being in space.

‘It freshens me up,’ my uncle always used to joke with me as we dried off with our miniature towels the width of serviettes.

‘Yeh,’ I nodded painfully as my bones shook to dust. ‘And it kills me every time.’

It wasn’t actually that bad. Partly because I’d already been in coldwater training, courtesy of our psychotic housemaster at school. Bored with simply doling out detentions or lines, he resorted to half drowning pupils in cold baths. Making them lie fully naked in freezing water at midnight until we were told we could get out. And then forced to dash outside into the cold December air still soaking wet because he’d set the fire alarm off for a drill.

I never told my uncle what happened at school in case he told my father. Who would probably accuse me of exaggerating and ban my uncle from taking me on these trips. Either way, my uncle was probably quite surprised how well I took to the icy cold water when most kids would have no doubt screamed and shrieked. I mean I did too; of course I did, it was freezing, but I like to think I did it out of pure joy rather than total fear.

The upshot of this early introduction to cold water is that I now take cold showers most mornings, in the garden, even in winter. It’s a great thing to do while the coffee is brewing inside. Because at the moment I race back in through the door from the garden, my Moka Express is performing its final act as the last burst of coffee splutters through the spout.

Then I pour it into a cup and sit down at my desk to continue my book, still shivering from the cold. And as I sip my coffee, type away and gradually warm up, I imagine my uncle looking down on me. Immensely proud to see I’ve flourished into the vagabond writer I’ve become.


My New Novel: Le Glitch is out now HERE

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Commentary, Observation

Why I Don’t Have a Smartphone

On a recent visit to see me in France, my friend asked me if he could borrow my phone for a minute. His was out of battery and he needed to check something. I handed him mine.

‘What’s this?’ he asked.

‘My phone. It’s quite smart. It only cost €5. It’s even got a radio.’

He looked at me in utter disbelief. I hadn’t seen him for a few years so he couldn’t work out whether I was joking or I simply hadn’t caught up with modern life.

‘But it doesn’t even have internet,’ he complained pressing the thick plasticky keys of my Logitech D34.

‘No, it doesn’t,’ I declared. ‘But it does have a torch, so at least I can see where I’m going.’

Once he’d got over the initial shock, he congratulated me, telling me he would love to live without his phone, but sadly, he couldn’t.

‘Why not?’ I asked. I wasn’t trying to be smug or clever; I was simply interested.

‘Because it’s got everything on it,’ he admitted. ‘I mean everything, bank details, work schedules, films, photos, my diary, passwords, my life. If I lost it, I’d be screwed. Even leaving home without it sends me into a mild panic. I sometimes have to drive back home just to retrieve it. It’s like a drug I know.’

‘More wine?’ I asked.

I poured him another glass as we tucked into our confit du canard, which I’d lovingly cooked from the tin. ‘Mmm.’ He licked his lips. ‘Very good. I mean, down our way you can’t even order a pizza unless you’ve got the App! I can’t even remember the last time I actually spoke on the phone. I just communicate via Messenger or WhatsApp.’

‘I prefer email,’ I added. ‘Or the old fashioned landline.’

My friend burst out laughing. ‘That’s why I can never get in touch with you. Who uses a landline these days? Next you’ll be writing letters.’

We laughed and discussed more fantastical scenarios involving the future of technology, and what would happen if one day it all got turned off and we were all forced to write letters again. Then finally, we got onto my novel, Le Glitch.

‘So? I asked him tentatively, slugging back a glass of red Saumur so lacking in body it felt like I was drinking Shloer. ‘What did you think?’

He got my book out of his bag and held it in his hand like he was taking an oath. ‘I haven’t read it,’ he quickly admitted. ‘I’m sorry.’

‘What!’ I exploded. ‘What do you mean, you haven’t read it? You said you would. What were you doing on the train down here? You could have probably finished it, you’re a fast reader, aren’t you? Plus it’s quite pacy — or so I’m told by people who have read it.’

‘I’m sorry, I got distracted.’

‘By what? The view?’

He looked sheepish. I’d known this guy since school and he always looked the same when he’d been caught out. His face muscles tightened and his mouth dropped open like a dead fish, signalling he was about to tell the truth. ‘I’ve just started seeing this new girl, you know how it is. Messaging and texting and before I knew it, I was at the station. It’s why my phone is out of battery. I’ll read it tomorrow.’

Then I had an idea. ‘No, you’ll read it now,’ I barked. ‘I’m not going to give you the internet code until you’ve read the book. And seeing as there’s no mobile signal around here for miles, I suggest you get reading. Unless you want to start writing letters. In that case the post goes at about eleven o’clock in the morning twice a week. But as the postman rarely shows up, you might have to resort to smoke signals to contact your girl. Your choice.’

My friend looked back at me. No internet. No mobile phone signal. His world had suddenly collapsed in on itself, casting him into a sea of impenetrable darkness. ‘But but but,’ he pleaded. ‘Can I just text her to tell her I’ve arrived?’

‘No — get reading!’ I ordered. ‘It shouldn’t take you long. As I’ve said, it’s quite pacy.’

And with that my friend sat down in my armchair, filled up his glass of cheap Saumur, and opened the first page of my book and started reading.

Five hours later he was finished.

‘Well?’ I asked.

‘It’s good. Can I go to bed now?’

‘Oh.’ I looked astonished. ‘Don’t you want the code?’

‘The code?’

‘For the internet.’

My friend rubbed his tired eyes. ‘Nah. Forget it, it can wait till the morning. I’m going to bed. Night.’

(*This was originally published 25 November 2019. I still don’t have a Smartphone. Although with technology creeping up on me and everything requiring Apps these days, I’m not sure how long I can last. I’ll keep you posted.)

Le Glitch is still available here

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Commentary

The Blank Page

What is writer’s block anyway?

I got up early this morning to write something for this blog.

But nothing came.

And as eight o’clock rolled on towards nine o’clock. And nine o’clock nudged ten, I was still staring at a blank screen. My mind felt empty as though my brain had been scooped out overnight and filled with soot. I wasn’t tired or hungover or ill; in fact, I’d been running the night before, and felt fit and fresh. And yet I was totally devoid of even the simplest idea.

I stared at the screen for ages. Then out of the window at the dirty sky wondering if it was going to rain. Then back at the screen. Then back outside again. Was this writer’s block? That mystical thing I hear other people talk about.

Surely not. I looked at the screen again. I’ve always got something to say, some rubbish to write about, even if it’s just nonsense. But today I was stuck, as though my hands were made of jelly fingers, unable to press a single key, incapable of typing a single word.

I briefly thought about writing about my summer holidays like I used to do at school. But as I didn’t have a holiday this year, or the year before, there wasn’t much to say. I could write about life on a rural French farm where I live and work, but I’ve flogged that horse to death enough times already.

Normally when I’m stumped for words, I write a short story starting with something like: ‘I woke up thinking I was Jesus.’ They generally fizzle out after a few pages, but at least I’ve written something.

JG Ballard, one of my favourite English authors, said he wrote a thousand words a day, every day. And I try to match this at least 5 days out of 7. But today nothing. And I hadn’t written for a week.

I almost flew into a mad panic and if it wasn’t for my wife I might have thrown something. A book against a wall. Luckily she arrived just in time and asked me what was wrong. So I told her. ‘I can’t write anything today. My mind is dead. I feel dead.’

She suggested I write about why I can’t write. Reminding me of all the novels written and films made on that very premise. ‘In fact,’ she went on, ‘there’s probably a whole genre in the film industry entitled: Writer’s Block.’

It was a good suggestion. Even though part of me thought it was a bit of a cop-out. Was I too dumb to think of anything interesting? And if so, what was I doing writing in the first place if I couldn’t write down a simple passage of prose, however banal?

A friend of mine who writes ghost stories for a living recently asked me if I’d had any more ideas for another novel.

I laughed. ‘I’ve only just finished my first,’ I informed him.

‘So?’ he shrugged. ‘Are you going to bask in the glory forever?’

I told him I wasn’t basking in any glory, but I understood his point. What he was really saying was, when are you going to write something serious? He knows me well so he can ask me these things.

‘I’m getting round to it. Slowly,’ I told him.

He nodded and we moved on to talk about football, which was a relief.

I actually have written about my life at boarding school and the death of my mother. The problem is, they don’t seem that interesting. The subject matter, however personal, is dull. I can’t make it come to life and I would much prefer to write about what it feels like to wake up as Jesus. Not that I’m in the slightest bit religious; it’s just that when I was young, I thought I was special — didn’t we all?

My friend would argue that all these, ‘Fantastical-what-would-happen-if-stories,’ are all well and good. But how about the ‘What-happened-in-reality-stories?’ Why don’t you cut the gags and get down to the real stuff? The meat. ‘Isn’t that why you write?’

It’s a good question. I probably write because I’ve always written. At school, I wrote an entire film entitled ‘School.’ I enjoyed it and even asked the drama master if we could perform it. He laughed at me and said maybe next year. We never did of course, and I’ve no idea what happened to the manuscript.

It was fun to write because it was just a load of stupid gags and pranks. More a sketch show than a full-blown movie. Of course, it didn’t contain any of the serious stuff: the beatings and the violence, but it was probably why I wrote it, to keep me sane.

But anyway, I’ve reached the 1000-word mark now, so it looks like I’ll have to stop. Just as I was getting started…

Photo by Pedro Araújo on Unsplash

My unserious novel Le Glitch is available here
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Feature, Observation

Playing Music With Tourettes

Over the past few months I’ve been writing some songs. My first for over twenty years, and I can’t really describe how good I feel. But I’ll try.

You see, I’m a twitcher. I find it difficult to keep still. At night I sleep like a baby. But in the day I can’t stop moving, twitching, spasming, ticking, hunching, spinning, gurning, jerking, convulsing. You might think I’m ill — some have suggested I’ve got Tourettes — (maybe I have), but maybe it’s just the way I am.

I’ve always been like this: I’ve always had a fireball of energy in my belly like I’ve eaten a plate of red-hot chilli ladened with extra chilli and extra cheese, and then some more. And then some more. And then some more. Do you get the picture?

I only did sport at school, not because I wanted to, but because I had to. And it wasn’t that my teachers forced me or anything like that. The total opposite in fact. My school promoted the arts and music over sport, but luckily they did have a PE master. So most mornings and evenings I was out running, or practising gymnastics or swimming. Anything that gave my body a chance to run off its unused energy.

Even now, I can barely stay seated for more than half an hour, before I have to rush outside and expend some energy. Smash some bricks together or chop wood angrily with a blunt axe. It’s why I can’t watch TV, or watch a film without taking endless breaks. Luckily, I have a very patient wife.

So a few weeks after New Year, I pulled my old Washburn acoustic out of its ragged case, restrung it and set it up. If you’re not au fait with guitars, setting-up simply means, faffing around with truss rods (the bit in the middle), strings and fret distances so the whole damn instrument stays (vaguely) in-tune.

Once I’d done that (which took a month of procrastination), I strummed a few bars wondering if my fingers still knew what to do. Luckily, like riding a bike or swimming, you never forget such things, so for a few weeks I played a selection of covers I used to play live all those years ago.

Then I wrote a song.

Back then, I never really wrote songs. My friend Justin wrote the material and I played along, made up riffs and solos, and kind of chipped in.

After we split and went our separate ways, I wrote a few bits and pieces, but they amounted to nothing more than a tortured mess of mangled blues and wailing. So I let it go, and for twenty years, did very little apart from a few jams and a couple of open-mic sessions, most of which I don’t remember ( I was pretty drunk for most of my thirties).

I was therefore naturally quite surprised that by the end of March this year, I’d managed to pen about ten songs. I even bought some modest recording equipment to improve the quality of my efforts.

I was pleased with them. But most of all I’d stopped wandering aimlessly around the farm where I live, knocking down walls or chopping down trees. Finally, I had something real and tangible to put my energy into once again: Recording music in my makeshift studio on top of the chicken shed.

Here is one...
Insamia Revisited
© Philip Ogley 2020
Top Photo by Simone Impei on Unsplash
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Observation

Why I Hate History

And why I think school is a waste of time. Listen or read below.

I remember nothing from school. Except the Rivers Act of 1876: A tiny piece of legislation to try and clean up the waterways of England.

Why I remember this particular fact is not important. What is important is that I shouldn’t have been learning it in the first place. Or indeed any of the subjects I spent 15 years studying during my time at school.

When I was twelve there were a few things I was interested in: music, drama, cycling, nature and drawing. This is what I actually studied: English, History, French, Maths, Physics, Geography, Religious Studies, Latin, Chemistry and Biology. Out of all of those, there was only one I was interested in. Biology.

A damning indictment of the educational system, surely.

True, if I hadn’t been such a spineless schoolboy, I might have said something like, ‘Why am I study these subjects; I don’t even like them?’

It’s a pretty damn good point, don’t you think?

And yet avid supporters of the educational system — teachers, lecturers, governments — would insist I had a rounded education.

No I didn’t! I didn’t in the slightest. A rounded education would have consisted of me playing the piano while cycling around the UK for instance. Putting on plays in parks or woods, looking at the nature, and then drawing the whole damn thing. That would have been a rounded education.

Chortle chortle chortle, I hear from leather-elbowed-patched, pipe-in-mouth teaching brigade. ‘Such a dreamer this one. This Ogley character.’

I am as a matter of fact. That’s what humans are. Dreamers. Inventors. Visionaries. That’s how we got this far in the first place. We didn’t get here by sitting in a classroom copying out endless tracts of British history. Copying it out into an exercise book, then revising it and rewriting it out onto an exam manuscript so some stuffy teacher can cross bits out and then decide to give me a qualification that assesses my progress in life.

Because that isn’t progress. It’s a failure. It’s a failure of the educational system to actually educate. And I know this, because I’ve been through it. I’ve done it. School, GCSEs, A-levels, university degree, masters degree. In fact I didn’t stop studying till I was 26. What an idiot!

This may sound like sour grapes. That I haven’t made a success of all the education given to me.

It’s not. While I was revising for my GCSE exams at the age of 16, I remember thinking, this is a waste of time, isn’t it? All I’m really doing is memorising stuff other people have done or discovered or invented, rewriting it down in vaguely my own words so another human being, who knows all this stuff anyway, can read it through again. How stupid is that? Why don’t I go out into the world and find my own stuff to write about? That would be fun!

I should have said something. But as I said before, I didn’t, because I was spineless. I was a schoolboy. I was young. I was impressionable. I was an idiot.

So I’m saying it now, nearly 30 years later: Education is a waste of time. School. University. Degrees. Masters. Call it what you want. It’s a waste of time!

There, I’ve said it. Bye.

Photo, Museums Victoria (bottom/Feliphe Schiarolli (top)
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Observation

The Corona Borealis

If you look East tonight at around 11pm (UK time) you’ll see a semicircular arc known as Corona Borealis in between the large constellations of Hercules and Boötes.

I’ve become quite an avid stargazer recently and download a chart each month that shows me all the constellations and stars. I’ve become quite addicted in fact as I never knew there was so much up there. Some I knew like the Big Dipper and Orion, but most I’d never heard of. Including this small one, Corona Borealis.

When I was young I remember reading that the light from some stars takes so long to reach Earth, that by the time our eyes register it, the stars it came from don’t even exist anymore.

That blew my mind! It meant the universe was big. Very big. And when I look up at the sky now, I never forget that fact. It’s so immense, so utterly big, that even thinking about it makes my head hurt. And as you probe deeper and deeper, reading about the stars and clusters and galaxies, you realise how amazingly small we really are. Smaller than we think.

Which brings me back to Corona Borealis. I’ve read so much about the Corona virus over these last few weeks, that when I looked at my April star chart, the first thing my eyes picked up was the word “Corona”.

Corona, Corona, Corona. Once I knew it only as a beer. Now, it’s a virus and a constellation. What next?

I was planning to write a long sweeping piece on humankind’s folly. But I just don’t have it in me at the moment. Let’s face it, a lot has already been written on the subject; it’s unlikely I can add anything more.

Maybe the only thing I can advise is to look up at the stars tonight. See if you can see Corona Borealis. I mean what else are you going to do now the pubs are all shut…

Useful Links:

Corona Borealis info: https://en.wikipedia.org/wiki/Corona_Borealis

Sky Charts: http://www.skymaps.com/downloads.html

Online Sky wheel: https://in-the-sky.org/skymap2.php

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